Jan 29 2010
Photo Finish for January 29, 2010
Winter Weeds

Fresh snow sparkles in the light of a veiled sun, which casts long shadows from these weed stalks.
Jan 29 2010

Fresh snow sparkles in the light of a veiled sun, which casts long shadows from these weed stalks.
Jan 28 2010
Sometime in the dark hours of late Tuesday night or early Wednesday morning this week—January 26th or 27th—thieves broke into Chuck Davis’ bike shop, Oklahoma Velo Sales, in Tulsa. They carried off two Surly Long Haul Truckers along with some pedals, lights, and other smaller items. Here are the details about the bikes:
52cm Blue 2010 Surly LHT in box from QPB
50cm Truckaccino 2010 Surly LHT in box from QPB
Time is important here! The longer the bikes are missing, the less likely it is they’ll be recovered! So spread the word as widely as you can. If you’re on Facebook or Twitter, tell your friends. If you have a blog or website, tell your readers. Let’s get these bikes back to Chuck.
Chuck thinks it’s possible the bikes will stay in the Tulsa area, but who knows? They can be anywhere. Keep your eyes peeled for suspect LHTs on the market, whether in local classifieds (wherever local is for you), on Craigslist, and in any other venue, even at garage sales and flea markets. If you think you’ve got a tip, let Chuck know, or send me a note and I’ll get the information to him pronto.
If you’re a regular reader of Outside Up North or the Surly Cross Check and Long Haul Trucker Group, then you know Chuck, and you know that you won’t find many guys as generous with his time and seasoned advice. Let’s give him some help here by keeping our eyes open for the bikes stolen from his shop, and let’s also spread the word.
Jan 28 2010
Digital cameras, image editing software, and post-processing techniques have revolutionized and democratized photography. Anyone who can get hold of a digicam and who has a computer to process their images can join in. But gear and technology only go so far. It’s the person behind the viewfinder and clicking the shutter who makes the difference between a so-so snapshot and a terrific photograph.
When you look through your photo collection, are you disappointed with their quality? Then ask yourself a few questions. When you take photos, do you always shoot from the same position? Is the main attraction always centered in the photo? Do you always have the light coming in over your shoulder? “Always” is a clue. If you always shoot in the same way or always shoot the same kind of pictures, that will lead to a mediocre photo album.
Good photos challenge the eye and the mind. They show unfamiliar scenes, or they show familiar scenes in a new way. Improve your photos by changing your perspective. Get down low and shoot up. Or get up high and shoot down. Crop your photos tight, either by zooming in, or by limiting depth of field. Get in close to things you usually see from afar. Look for textures, patterns, and contrasts. Cultivate an eye for scenes that tell a story. Expose the unexpected, show things in a way that your audience has never seen before. In short, surprise them.
Anyone can get lucky and shoot a fabulous picture every now and then, but to shoot consistently good pictures takes practice and attention to details. How? By learning your craft. Among other things, this means taking control of your camera. Read the camera manual thoroughly and figure out how to make your tools work for you. Learn how to use aperture, shutter speed, and depth of field to best advantage. Use a critical eye when evaluating your photos, and ask more experienced photographers to critique them. And practice, a lot. It pays dividends.
Need some motivation? Then set yourself assignments designed to concentrate your efforts on specific techniques or subjects. Go on shoots where you will get the best pictures you can of, say,…
- • Reflections
- • Shadows
- • Contrast
- • Textures
- • Patterns
Or how about shooting photos that fit a theme such as:
- • Motion
- • Stillness
- • Wetness
- • Cold
- • Abstract
- • Minimalism
Other approaches include…
- • Shooting scenes or subjects to be converted into black-and-white images
- • Shooting for appealing bokeh (out of focus areas of the picture)
- • Shooting only with a telephoto lens
- • Shooting only macro photos
- • Shooting only wide-angle photos
You get the point.This are not exhaustive lists of challenges (see examples at the end of the article). Make up some of your own. The important thing is to shoot pictures with a disciplined approach, critique them, learn from your mistakes, and shoot some more. Before you know it, I’m betting you’ll notice improvement. Instead of culling 95-percent of your photos, you’ll be labeling a larger proportion as keepers. So what are you waiting for? Go shoot! And don’t forget to have a good time!
Some examples:
Reflections:

Shadows:

Contrast:

Textures:

Patterns:

Motion:

Stillness:

Wetness:

Cold:

Abstract:

Minimalism:

Black-and-White:

Bokeh:

Telephoto:

Macro:

Wide-Angle:
